Synthetic memories and polymachines in the Blade Runner era: Exhibition of the laureates of the XI Vladimir Veličković Foundation Drawing Prize (Eng. 2019); and Sintetička sećanja i poli-mašine u doba Blade Runner-a: Izložba laureata XI Nagrade za crtež Fondacije Vladimira Veličkovića (Sr. 2019).
Ana Knežević, Journey for a prepared mind. Reflections on classicism and technology in Voiding the Void, ambiental and VR work conceptualised at CultureHub New York residency programme 2018-2019.
Drina Gallery 2017-2019:
Edgelands, or wilderness in Nikola Džafo’s The Garden of Solstice Secrets (Eng.), Exhibition essay, Drina Gallery, Belgrade, July-August 2018.
Operacija Nezamislivo: Enklava kao moć, strah i mesto (Sr.) Operation Unthinkable: Enclave as power, fear and place (Eng.) December 2017. Exhibition essay, Drina Gallery, Belgrade, December 2017.
Other texts and conversations 2011-2018:
Edible. (7 January 2017)
The Free Artist. (May 2016)
“Pirates of the Precariat: the Effects of Transition on Cultural Workers in Serbia”, from The Smuggling Anthologies Reader, published by the Museum of Modern and Contemporary Art, Rijeka (Croatia), 2014-15.
Aleksandar Dimitrijević : Slika kao metagaming i kao skladište sećanja (2014). Published in art journal Medjaj, No. 91-92, July 2014. p. 289-292.
Conversations on Nature. Time, memory and proximity in the works of Chrystel Lebas and SofijaSilvia (2011). An essay from the conference and exhibition Conversations on Nature at the Museum of Modern and Contemporary Art, Rijeka, June 16-July 30 2011.