writing

 

 

Synthetic memories and polymachines in the Blade Runner era: Exhibition of the laureates of the XI Vladimir Veličković Foundation Drawing Prize (Eng. 2019);  and Sintetička sećanja i poli-mašine u doba Blade Runner-a: Izložba laureata XI Nagrade za crtež Fondacije Vladimira Veličkovića (Sr. 2019).

Ana Knežević, Journey for a prepared mind. Reflections on classicism and technology in Voiding the Void, ambiental and VR work conceptualised at CultureHub New York residency programme 2018-2019.

 

Drina Gallery 2017-2019:

Edgelands, or wilderness in Nikola Džafo’s The Garden of Solstice Secrets (Eng.), Exhibition essay, Drina Gallery, Belgrade, July-August 2018.

Radical Softness – Olivera Parlić, Mia Ćuk, Valentina Savić and Marijana Ćurčić (Eng.)  Radikalna mekoća (Sr.) Exhibition essay, Drina Gallery, Belgrade, February 2018.

Operacija Nezamislivo: Enklava kao moć, strah i mesto (Sr.) Operation Unthinkable: Enclave as power, fear and place (Eng.) December 2017. Exhibition essay, Drina Gallery, Belgrade, December 2017.

Đorđe Stanojević, Darkness Light Darkness (Eng). Tama Svetlost Tama (Sr). Catalogue essay, Drina Gallery, Belgrade, October 2017. The works from the exhibition can be seen here.

Mile Šaula, The Violet Hour (Eng). Ljubičasti sat (Sr). Catalogue essay, Drina Gallery, Belgrade, September 2017. The works from the exhibition can be seen here.

Petar Mošić, Embroideries (Eng), Vezovi (Sr). Catalogue foreword, Drina Gallery, Belgrade, August 2017. The works from the exhibition can be seen here.

Ivana Živić, Underwater (Eng). Pod vodom (Sr). Catalogue essay, Drina Gallery, Belgrade, July 2017. The works can be seen here.

Aleksandar Dimitrijević: Playground (Eng). Igraonica (Sr). Catalogue essay, Drina Gallery, Belgrade, June 2017. The works from the exhibition can be seen here.

 

Other texts and conversations 2011-2018:

Epic: The Same But A Little Different (Eng.) Catalogue Essay for the exhibition Epic by Kolya Bozovic, The Embassy of Switzerland, Belgrade, Sept. 2018. Epic: Opet to malo drukčije (Serbian).

Zeitmasse: Chronoscopes of Božidar Plazinić (Eng). Catalogue essay, Prodajna galerija Beograd. May 2018. Dimenzija vremena: hronoskopi Božidara Plazinića (Sr).

A Place To Hold You (Eng, 2017) an essay about the abstract VR work of artist Ana Knežević, and the same text in translation (Sr, 2017).

Philipp Hennevogl: the power of everyday (Eng). Filip Henefogl: snaga svakodnevice (Sr). Centar za grafiku FLU, Belgrade, February 2017.

Edible. (7 January 2017)

The Free Artist. (May 2016)

“Pirates of the Precariat: the Effects of Transition on Cultural Workers in Serbia”, from The Smuggling Anthologies Reader, published by the Museum of Modern and Contemporary Art, Rijeka (Croatia), 2014-15.

Aleksandar Dimitrijević : Slika kao metagaming i kao skladište sećanja (2014). Published in art journal Medjaj, No. 91-92, July 2014. p. 289-292.

Anagrammatical drawings of Dragana B Stevanovic (2013)

In the studio of Aleksandar Dimitrijevic (2013)

Conversations on Nature. Time, memory and proximity in the works of Chrystel Lebas and SofijaSilvia (2011). An essay from the conference and exhibition Conversations on Nature at the Museum of Modern and Contemporary Art, Rijeka,  June 16-July 30 2011.